The blues brothers movie#
The blues brothers plus#
The blues brothers windows#

They sign with Atlantic Records, which wants to record a live album at one of the shows. Taking the stage, to Otis ReddingвЂ™s вЂњI CanвЂ™t Turn You Loose,вЂќ Aykroyd carries a briefcase Belushi, the key that unlocks it. Belushi and Aykroyd execute perfectly choreographed dance routines. This has something to do with musicianship and a lot to do with showmanship. After two weeks of rehearsal, they all fly to Los Angeles.

The blues brothers plus#

Within days, the whole team is in New York: Shaffer and Cropper plus lead guitarist Matt вЂњGuitarвЂќ Murphy, bassist Donald вЂњDuckвЂќ Dunn, drummer Steve Jordan, and a horn section composed of Alan Rubin, Lou Marini, Tom Maloney, and Tom Scott.

The blues brothers windows#

By the time we left, all the windows are up and the whole school is chanting, вЂBluto! Bluto!вЂ™ вЂќ During an out-of-town car trip, Belushi asks Aykroyd to stop the car, saying, вЂњWatch this! Watch this!вЂќ Aykroyd recounts that вЂњhe gets out of the car and starts knocking on the ground-floor windows of this primary school, knowing heвЂ™ll get a reaction.

The blues brothers movie#

Belushi, having played Bluto, the gluttonous rascal who rallies Delta House to glory, becomes a Major Movie Star. Three months later, BelushiвЂ™s first movie opens. Two years later, during a show hosted by Steve Martin, Jake and Elwood finally take the stage, performing вЂњHey, Bartender.вЂќ The compromise, which exploits S.N.L.вЂ™s popular вЂњKiller BeesвЂќ skit, is mercifully short-lived. The Blues Brothers go live from New York on January 17, 1976. He was just one of those great charismatics who turned heads and dominated a room.вЂќДЄfter the Blues Brothers play gigs around town for a while, Lorne Michaels lets them warm up the S.N.L. вЂњOne of those people like Teddy Roosevelt or Mick Jagger. вЂњThe alpha Illinois male,вЂќ Aykroyd calls him. Aykroyd is Elwood, the laconic, harmonica-playing straight man Belushi is Jake, the swaggering belter fresh out of the state prison in Joliet.ДЄykroyd exhibits an almost spooky faith in Belushi, whose singing voice is O.K. days, when he and Belushi fully morph into Elwood and вЂњJolietвЂќ Jake Blues, blood brothers outfitted like John Lee Hooker gone Hasidic: black suits, skinny ties, Ray-Ban sunglasses. Within a year, BelushiвЂ™s apartment contains hundreds, maybe thousands, of blues recordings.Д«ut AykroydвЂ™s idea doesnвЂ™t gel until the early S.N.L. His blues evangelism transfixes Belushi, a man who embraces nothing halfheartedly. When Aykroyd first meets you, he calls you вЂњSir.вЂќДЄykroyd lives and dies for the blues, his command of the subject falling somewhere between encyclopedic and monomaniacal. He evinces a genial Canadian aloofness, a square-peg formality. When Belushi first meets you, he calls you вЂњPal.вЂќДЄykroyd is precise, disciplined. He couldnвЂ™t hide his emotions if he tried, and he never tries. But Belushi is an overgrown teenager, a celebration of willful chaos, a hugger. Granted, both are young comic geniuses from the Greater Great Lakes region, with its shortage of sunlight and abundance of Polish sausage. The platonic love affair between Belushi and Aykroyd defies reason-Belushi, who scribbles ideas on wrinkled scraps of paper Aykroyd, whose mad-scientist digressions are such that Belushi, when asked to translate their meaning, says, вЂњI have no idea.вЂќ вЂњJohn,вЂќ Aykroyd says, вЂњyouвЂ™re from Chicago.вЂќ вЂњBlues, huh? I donвЂ™t listen to too much blues.вЂќД«rief silence. For the past three years, he has been performing with Second City, the famed comedy troupe based in Chicago but also flourishing in Toronto. The bar, a speakeasy called the 505 Club, is in Toronto and owned by Aykroyd, a bizarro 20-year-old with webbed toes, mismatched eyes-one green, one brown-and a checkered past as a two-bit hoodlum and a seminary student. It begins, as these things do, in a dark bar. And when money burns, Lew Wasserman burns. On days when coke gets the best of Belushi, production stalls. He has become a blessed wreck, thanks mostly to his spiraling (and ultimately lethal) addiction to cocaine. It would be even more inaccurate to say Belushi isnвЂ™t responsible. He isnвЂ™t responsible for the late-developing script or the unwieldy action sequences. It would be inaccurate to blame all the movieвЂ™s problems on Belushi. Everything revolves around Belushi, the most electric and popular comic actor of his time.